Cold Open Statement
Full peak energy in the first 30 seconds. The set announces itself before the crowd forms an opinion.
"Heads turn. Conversations stop."
Official Electronic Press Kit · Las Vegas, NV · The Sounds of Blackness
Tha Sharpshoootaaa
Known to the room as DJ B · He doesn't just play records. He breaks them.
Baltimore. Philly. Atlanta. Oakland. Las Vegas.
Twenty years of the sounds of Blackness — and every room he's ever played has felt it.
Descent · Cover Art · 2025
A Journey Into the Deep · Vol. I · 2025
Descent is not a playlist — it's a statement. DJ B opens with full energy, then engineers a deliberate sonic arc that gets progressively darker and heavier — a bass-forward journey through 77 minutes of intentional programming. This is what it sounds like when a DJ directs the room instead of following it.
King DJ B-Rock Tha Sharpshoootaaa — DJ B for short — was born in Baltimore in 1979, raised between Philadelphia and Washington D.C. on the radio music that built a generation: Northeast Hip-Hop, R&B, and Top 40. That foundation never left.
Georgia Tech brought him to Atlanta in 1997. Seventeen years in the Dirty South gave him bounce, bass, and a fluency in the sound that built the modern club. He started DJing around 2002 — not because it was a career move, but because the music demanded it.
Las Vegas in 2016. Oakland in 2019 — four years of deep immersion in the West Coast sound, Bay Area culture, and a regional ear that most DJs never develop. Back in Las Vegas since 2024 as the Official UNLV Rebel DJ.
What separates DJ B from the field isn't just twenty years of experience — it's range, risk, and intention. He doesn't play what's already popular. He breaks records. He cross-pollinates genres, builds unexpected mashups, and directs the sound of every room he plays. The résumé reads like a map of Black American music — and what comes out of the speakers is all of it at once.
"He doesn't follow the sound of the room. He creates it."
Full peak energy in the first 30 seconds. The set announces itself before the crowd forms an opinion.
"Heads turn. Conversations stop."
Seven straight peak windows. The room knows what kind of night this is within 2.5 minutes.
"Dance floor fills. The room locks in."
-15.7 dB after 7 minutes of plateau. The contrast is felt physically.
"Hands up. A scream moment."
The set's ceiling. -15.2 dB after 9 minutes of engineered tension. This is a DJ directing the room — not reacting to it.
"Phones up. The room peaks here."
A second peak two minutes after the climax. No post-peak comedown.
"Second wind. The floor doesn't empty."
3 minutes of sustained high energy in the final quarter. When most DJs coast, this set surges.
"Late-night loyalty payoff."
DJ B doesn't play what's already popular. He breaks records. Real DJs don't follow the room — they direct it. They take risks, cross genres, build mashups nobody expected, and trust the crowd to follow them somewhere new.
That philosophy was built city by city. Baltimore and Philly gave him the Northeast — where Hip-Hop and R&B are religion. Atlanta gave him seventeen years of Dirty South, bounce, and bass culture at its source. Oakland gave him the West Coast in full — not as a tourist, but as a resident. Las Vegas sharpened everything into a single, room-moving point.
What comes out of the speakers is the full map of Black American music — and it's friendly to every ear in the room. Because the sounds of Blackness have always been the sounds of everybody.
NE Hip-Hop & R&B — the foundation. Dirty South, Bounce & Bass — the swing. West Coast — the groove. Top 40 across every era — the bridge that brings every demographic onto the floor. Cross-genre mashups — the signature move that separates a DJ who plays records from one who breaks them.
DJ B doesn't just play records — he breaks them. He carries twenty years and five cities in his crates, and when he plays, you feel every single one. Descent is what happens when a DJ stops following the room and starts leading it.
Promoter & Talent Buyer Review · 2025
DJ B is available for nightclub residencies, private events, casino and resort bookings, college events, Mardi Gras, and festival stages. He plays Hip-Hop, R&B, Dirty South, West Coast, Top 40, Old School, Neo-Soul, Dancehall, and genre-bending mashups that work for any crowd, any room, any city.
Twenty years of DJing across Baltimore, Atlanta, Oakland, and Las Vegas means DJ B has played every kind of room and read every kind of crowd. He doesn't just fill the floor — he directs it.
All bookings require a 50% non-refundable deposit. Accepted: Zelle, Venmo, Cash App, PayPal, Check, Cash.